TOURIST LIFE TRAVEL & TOUR

The 11 medieval monolithic cave churches of this 13th-century ‘New Jerusalem’ are situated in a mountainous region in the heart of Ethiopia near a traditional village with circular-shaped dwellings. Lalibela is a high place of Ethiopian Christianity, still today a place of pilmigrage and devotion.

The rock-hewn churches of Lalibela are exceptionally fine examples of a long-established Ethiopian building tradition. Monolithic churches are to be found all over the north and the centre of the country. Some of the oldest of such churches are to be found in Tigray, where some are believed to date from around the 6th or 7th centuries. King Lalibela is believed to have commissioned these structures with the purpose of creating a holy and symbolic place which considerably influenced Ethiopian religious beliefs.

The 11 medieval monolithic cave churches of this 13th-century ‘New Jerusalem’ are situated in a mountainous region in the heart of Ethiopia near a traditional village with circular-shaped dwellings. Lalibela is a high place of Ethiopian Christianity, still today a place of pilgrimage and devotion.

Lalibela is a small town at an altitude of almost 2,800 m in the Ethiopian highlands. It is surrounded by a rocky, dry area. Here in the 13th century devout Christians began hewing out the red volcanic rock to create 13 churches. Four of them were finished as completely free-standing structures, attached to their mother rock only at their bases. The remaining nine range from semi-detached to ones whose facades are the only features that have been ‘liberated’ from the rock.

The Jerusalem theme is important. The rock churches, although connected to one another by maze-like tunnels, are physically separated by a small river which the Ethiopians named the Jordan. Churches on one side of the Jordan represent the earthly Jerusalem; whereas those on the other side represent the heavenly Jerusalem, the city of jewels and golden sidewalks alluded to in the Bible.

It was King Lalibela who commissioned the structures, but scholars disagree as to his motivation. According to a legendary account, King Lalibela was born in Roha. His name means ‘the bee recognizes its sovereignty’. God ordered him to build 10 monolithic churches, and gave him detailed instructions as to their construction and even their colours. When his brother Harbay abdicated, the time had come for Lalibela to fulfil this command. Construction work began and is said to have been carried out with remarkable speed, which is scarcely surprising, for, according to legend, angels joined the labourers by day and at night did double the amount of work which the men had done during the hours of daylight.

Like more episodes in the long history of this country, there are many legends about this king. One is that Lalibela was poisoned by his brother and fell into a three-day coma in which he was taken to Heaven and given a vision of rock-hewn cities. Another legend says that he went into exile to Jerusalem and vowed that when he returned he would create a New Jerusalem. Others attribute the building of the churches to Templars from Europe.

The names of the churches evoke hints of Hebrew, a language related to the Hamo-Semitic dialect still used in Ethiopian church liturgies: Beta Medhane Alem (House of the Saviour of the World), Beta Qedus Mikael (House of St Michael) and Beta Amanuel (House of Emmanuel) are all reminiscent of the Hebrew beth (house). In one of the churches there is a pillar covered with cotton. A monk had a dream in which he saw Christ kissing it; according to the monks, the past, the present and the future are carved into it. The churches are connected to each other by small passages and tunnels.

Source: UNESCO

The World Heritage site is an outstanding testimony of the modern Ethiopian civilization on the northern plateau of Tana. The characteristics of the style of the Gondar period appeared at the beginning of the 17th century in the capital city and have subsequently marked Ethiopian architecture in a long-lasting manner.

Flanked by twin mountain streams at an altitude of more than 2,300 m, Gondar was founded by Emperor Fasilidas who, tiring of the pattern of migration that had characterized the lifestyle of so many of his forefathers, moved his capital here in 1636, a role that it filled until 1864. It is famous for its many medieval castles and the design and decoration of its churches. No one knows exactly why Fasilidas chose to establish his headquarters there. Some legends say an archangel prophesied that an Ethiopian capital would be built at a place with a name that began with the letter G. The legend led to a whole series of 16th- and 17th-century towns: Guzara, Gorgora, and finally Gondar. Another legend claims that the city was built in a place chosen by God, who pointed it out to Fasilidas who had followed a buffalo there when hunting.

The main castle, which stands today in a grassy compound surrounded by later fortresses, was built in the late 1630s and early 1640s on the orders of Fasilidas. With its huge towers and looming battlemented walls, it resembles a piece of medieval Europe transposed to Ethiopia. In addition to this castle, Fasiladas is said to have been responsible for the building of a number of other structures, perhaps the oldest of which is the Enqulal Gemb (Egg Castle), so named on account of its egg-shaped domed roof.

Beyond the confines of the city to the north-west by the Qaha River there is another fine building sometimes associated by Fasilidas, a bathing palace. The building is a two-storeyed battlemented structure situated within and on one side of a rectangular pool of water which was supplied by a canal from the nearby river. The bathing pavilion itself stands on pier arches, and contains several rooms reached by a stone bridge, part of which could be raised for defence. The Emperor, who was greatly interested in architecture was also responsible for seven churches and a number of bridges.

Iyasu the Great, a grandson of Fasilidas, was particularly active. His castle was described at the time as finer than the House of Solomon. Its inner walls were decorated with ivory, mirrors and paintings of palm trees and its ceiling was covered with gold-leaf and precious stones. Iyasu’s most lasting achievement was the Church of Debra Berhan Selassie (Light of the Trinity), which stands surrounded by a high wall on raised ground to the north-west of the city and continues in regular use. A plain, thatched, rectangular structure on the outside, the interior of Debra Berhan Selassie is marvellously painted with scenes from religious history. The north wall is dominated by a depiction of the Trinity above the Crucifixion; the theme of the south wall is St Mary and that of the east wall the life of Jesus. The west wall shows major saints, with St George in red and gold on a prancing white horse.

Not long after completing this remarkable and impressive work, Iyasu went into deep depression when his favourite concubine died. He abandoned affairs of state and his son, Tekla Haimanot, declared himself Emperor and killed his father. Tekla Haimanot was in his turn murdered; his successor was also forcibly deposed and the next monarch was poisoned. The brutalities came to an end with Emperor Bakaffa, who left two fine castles, one attributed directly to him and the other to his consort, the Empress Mentewab.

Bakaffa’s successor, Iyasu II, is regarded by most historians as the last of the Gondar Emperors to rule with full authority. During his reign, work began on a whole range of new buildings outside the main palace compound. The monarch also developed the hills north-west of the city centre known as Kweskwam (after the home of the Virgin Mary).

Source: UNESCO

The ruins of the ancient city of Aksum are located close to Ethiopia’s northern border. They mark the location of the heart of ancient Ethiopia, when the Kingdom of Aksum was the most powerful state between the Eastern Roman Empire and Persia. The massive ruins, dating from between the 1st and 13th centuries, include monolithic obelisks, giant stelae, royal tombs and the ruins of ancient castles. Long after its political decline in the 10th century, Ethiopian emperors continued to be crowned in Aksum.

Beginning around the 2nd millennium BCE and continuing until the 4th century CE there was immigration into the Ethiopian region. The immigrants came mostly from a region of western Yemen associated with the Sabean culture. Conditions in their homelands were most probably so harsh that the only means of escape was by a direct route across the Red Sea into Eritrea. By the 4th century, Aksum was already at its peak in land sovereignty, which included most of southern Yemen.

The city of Aksum emerged several centuries before the birth of Christ, as the capital of a state that traded with ancient Greece, Egypt and Asia. With its fleets sailing as far afield as Ceylon, Aksum later became the most important power between the Roman Empire and Persia, and for a while controlled parts of South Arabia. Aksum, whose name first appears in the 1st century AD in the Periplus of the Eritrean Sea, is considered to be the heart of ancient Ethiopia. Indeed, the kingdom which held sway over this area at this time took its name from the city. The ruins of the site spread over a large area and are composed of tall, obelisk-like stelae of imposing height, an enormous table of stone, vestiges of columns and royal tombs inscribed with Aksumite legends and traditions. In the western sector of the city there are also the ruins of three castles from the 1st century AD.

The earliest records and legends suggest that it was from Aksum that Makeda, the fabled Queen of Sheba, journeyed to visit King Solomon in Jerusalem. A son was born to the queen from her union with Solomon. This son, Menelik I, grew up in Ethiopia but travelled to Jerusalem as a young man, where he spent several years before returning to his own country with the Ark of the Covenant. The Ark, according to Ethiopian belief, has remained in Aksum ever since (in an annex to the Church of St Mary of Zion).

 In addition to the old St Mary of Zion church, there are many other remains in Aksum dating back to pre- and early Christian times. Among these, a series of inscriptions on stone tablets have proved to be of immense importance to historians of the ancient world. They include a trilingual text in Greek, Sabaean (the language of South Arabia) and Ge’ez (classical Ethiopian), ordered by King Ezana in the 4th century AD, along with the 3,000-year-old stelae and obelisks. The standing obelisk rises to a height of over 23 m and is exquisitely carved to represent a nine-storey building in the fashion of the ‘tower-houses’ of southern Arabia.

Aksum inherited a culture highly influenced by southern Arabia. The Aksumites’ language, Ge’ez, was a modified version of the southern Arabian rudiments, with admixtures of Greek and perhaps Cushitic tongues already present in the region. Their architectural art was inherited from southern Arabian art; some Aksumite artwork contained combinations of Middle Eastern deities.

From its capital on the Tigray Plateau, Aksum was in command of the ivory trade with Sudan. It also dominated the trade route leading south and the port of Adulis on the Gulf of Zola. Its success depended on resourceful techniques, the production of coins, steady migrations of Graeco-Roman merchants and ships landing at the port of Adulis. In exchange for Aksum’s goods, traders offered many kinds of cloth, jewellery and metals, especially steel for weapons.

At its peak, Aksum controlled territories as far as southern Egypt, east to the Gulf of Aden, south to the Omo River, and west to the Cushite Kingdom of Meroë. The South Arabian kingdom of the Himyarites was also under the control of Aksum. Unlike the nobility, the people used salt and iron bars as money and barter remained their main source of commerce.

World heritage site-Ethiopia 

Aksum-1980

Fasil Ghebbi Gondar Region-1979

Harar Jugol, The Fortifed Historic Town-2006

Lower valley of the Awash-1980

Lower Valley of the Omo-1980

Rock-hewn Church, Lalibela-1978

Tiva-1980

Source: UNESCO